N-Methylpyrrolidone
Edition One, the first in my ‘Defective Damien’ series:
Numbered artist’s proof, 100x100cm, on 380gsm hand-torn deckle-edge paper
Signed and embossed with Epi studio stamp
It would be remiss of me to comment, but some in the art world have long intimated that the less of a Damien Hirst Work is actually visible, the better the viewing experience is for everybody.
With this in mind I’ve created my ‘Defective Damien’ series of prints, each one named after a different chemical paint stripper, which in their own small way start the ball rolling on erasing Damien Hirst’s œuvre, one spot at a time.
Edition One, the first in my ‘Defective Damien’ series:
Numbered artist’s proof, 100x100cm, on 380gsm hand-torn deckle-edge paper
Signed and embossed with Epi studio stamp
It would be remiss of me to comment, but some in the art world have long intimated that the less of a Damien Hirst Work is actually visible, the better the viewing experience is for everybody.
With this in mind I’ve created my ‘Defective Damien’ series of prints, each one named after a different chemical paint stripper, which in their own small way start the ball rolling on erasing Damien Hirst’s œuvre, one spot at a time.
Edition One, the first in my ‘Defective Damien’ series:
Numbered artist’s proof, 100x100cm, on 380gsm hand-torn deckle-edge paper
Signed and embossed with Epi studio stamp
It would be remiss of me to comment, but some in the art world have long intimated that the less of a Damien Hirst Work is actually visible, the better the viewing experience is for everybody.
With this in mind I’ve created my ‘Defective Damien’ series of prints, each one named after a different chemical paint stripper, which in their own small way start the ball rolling on erasing Damien Hirst’s œuvre, one spot at a time.